Dr. Art Davis - Double bassist, psychologist
Saturday, August 4th, 2007
Art Davis was a brilliant black bassist who acquired a doctorate in clinical psychology when his music career waned in the 1970s due to the pressures of racism in the music industry.
Davis showed an interest in music early on, playing tuba and piano and eventually switching to bass in high school in Harrisburg, PA. After graduation he moved to New York to study under scholarships at both the Manhattan School of Music and the Juilliard School of Music. He earned a B.A. degree with a triple major in psychology, music and physics from Hunter College, City University of New York.
Art Davis fashioned a musical career that took dual paths into jazz and orchestral work. But from a practical point of view it was hard to maintain a double personality when it had to apply both to the racially accepting world of jazz and the conservative world of “serious” music. He got an early taste of the latter when at age 17 he was unreasonably criticized by the audition committee of his hometown orchestra. The conductor, Edwin MacArthur, was taken aback and questioned their decision. He was even more taken aback when he learned that their objection was that he was black. To his great credit, Edwin MacArthur said, “If you don’t want him, then you don’t want me.” Davis was accepted.
Art Davis’ recording debut came in 1958 at the Newport Jazz Festival, with Max Roach. The group included George Coleman and Booker Little, who became one of his best friends. Soon after Art Davis met John Coltrane while working with Max Roach’s group at Small’s Paradise in Harlem. That started a musical collaboration, one that Davis considered the richest in his life, which would last until Coltrane’s death in 1967. Davis performed on the saxophonist’s albums Ascension, Volumes 1 and 2 of The Africa/Brass Sessions, and Ole Coltrane. Davis also performed with musicians as diverse as Thelonious Monk, Duke Ellington, Rahsaan Roland Kirk, Louis Armstrong, Judy Garland, John Denver, Bob Dylan and Peter, Paul and Mary.
On the orchestral track, Art Davis performed with the National Symphony, NBC Symphony, New York Philharmonic, Los Angeles Philharmonic, Radio City Music Hall Symphony, Westchester Symphony and the Orange County Symphony, among others.
However, in the 1970s Davis decided to expose his experience of racism in the music industry and launched a job discrimination lawsuit against the New York Philharmonic. Though the lawsuit was unsuccessful in the courts, it did help musicians who came after him because it helped to establish the practice of “blind auditions” where the auditioning judges can only hear the player, not see them.
The other result was that Davis was blacklisted and could no longer find sufficient work as a musician. The jazz pianist Ahmad Jamal once called Davis a “forgotten genius” because of it.
So, Art Davis decided it was time to put “Dr.” in front of his name and returned to college to pursue his parallel love of psychology. He received a Ph.D. in clinical psychology from New York University 1982 and practiced in New York until moving to Southern California in 1986. There Davis taught music in college, maintained a professional psychology practice and played live and on recordings until his death.
Art Davis died July 29, 2007 at age 73 at his home in Long Beach, CA of a heart attack.
For more information:
Visit ArtDavis.com
Read an Art Davis biography on the Verve Records site
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